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Jumping The Broom
Published by Therez on 2008/11/14 (2896 reads)
Just ten years ago, black couples planning to get married were hard-pressed to find the resources they needed to help them create a unique ceremony that reflected their African heritage. There was little information in either books, magazines or online about what goes into an Afrocentric ceremony or where to hire African-inspired tailors and designers. Even Essence magazine, long the arbiter of contemporary style and culture that celebrates the African Diaspora, had very little information about black heritage wedding ceremonies. Then in 1994, Essence's former lifestyle editor Harriette Cole wrote her groundbreaking Jumping the Broom: The African-American Wedding Planner. The first book on the subject, Jumping the Broom remains a best-seller. The book offers ideas to create a very stylish and modern wedding, while unselfconsciously incorporating Afrocentric flourishes.
Now Therez Fleetwood, the wedding gown designer whose work was featured prominently in Jumping the Broom, adds her own book to the growing list of rifles on Afrocentric wedding style. The Afrocentric Bride: A Style Guide (Amber Books, ISBN 0-972-75191-2) acknowledges the growth in demand for approaches that unabashedly blend African with American culture. "Most mainstream bridal magazines don’t cater to this niche", observes Fleetwood. "it is as if it doesn’t exist". Filled with information about wedding gowns and garb from African-influenced to contemporary and traditional, as well as rips about makeup, wedding lingerie accessories, men’s wedding attire and more, her guide is a valuable source for today’s brides and wedding consultants. Fleetwood, whose ethnic-flavor fashions have appeared both in Essence and In Style Weddings and also featured in museum exhibits, lets brides-to-be know what to expect when working with a designer on a custom-made gown. The colorful guide offers tips on outfitting the bride, groom and entire wedding party in garments made of luxurious fabrics--Guinea brocade, ashoke, kente--in rich colors in gold and white, royal purple, white, orange. This is the place for the African-inspired bride to find modern interpretations of ancient garb from Egypt, as well as contemporary designs with understated African references. “ Most often people think that Afrocentric wedding attire is based on traditional West African silhouettes”, says Fleetwood. This is so untrue. Brides have more choices. The Afrocentric Bride features designs ranging from a sweeping traditional African bubah with ashoke cloth to a gown with a kente patchwork quilt skirt that brings to mind a modern take on an antebellum ball gown. For do-it-yourselfers, she offers tips on working with such design elements as cowrie shells, imported African fabrics, quilting and embroidery techniques. Hers is a fine addition to any collection on wedding celebrations. And thanks to pioneering authors like Cole and others who followed her, Afrocentric-style weddings are now commonplace, both in big cities and small towns. Some couples may opt for a full-blown African ceremony with all the trimmings--traditional garb with headdress, rituals, drummers and food over the course of several days. Some might choose a simple affair that uses black caterers and other suppliers.
Regardless, African American couples want their big day to reflect their heritage and incorporate discreet Afrocentric touches, such as a broom jumping ceremony, libation or tuxedos with kente cloth accents. Instead of feeling compelled to choose between an American model and an African one, many blend cultures and take aspects from each. Some couples are more likely to create their own vows and promises that will one day become part of their family’s cultural memory. by Ingrid Sturgis, Black Issues Book Review
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